明明比之前的《晚秋 快播》好却反而被“下放”到了“一种关注”依旧捕捉了种族问题、恐怖主义等社会热点除此之外仅凭借作家引导一群青年创作小说的室内群戏发掘了阶级关系:精英阶层通过对底层的精神发掘打破自身创作焦虑由此激发出青年人的愤怒奇异电影这种愤怒又内化为自我发掘有点像《WRITE AS 控制欲》呢
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首集观望尚可,刚看了一下imdb7.9 Meta54%,个人观感细节处理的比较好,加上AB作为男主,说不上非常精彩但是还算可以的出品,节奏也掌握的不错,embraces or confronts death in increasingly shocking ways. While grief is apparent in many great horror tales, it’s a shame that this one succumbs to the trope of the wife dying to propel the male protagonist’s storyline. Thankfully, though, the world the Filardis bring to the screen still exists within the reality of race.