I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.
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我真的完全不管它是否合理是都真实好吗第三世界国家电影文化的崛起就是要为电影语言注入不同的表达方式看此片时不觉反思我们觉得太过夸张《正牌韦小宝之奉旨沟女》是否是因为习惯了西方好莱坞的叙事我们是强势文化范式的产物其实我就是被欧美影评人种草的可以看出大家开始留意到并且接受这种表达真是让人欣喜的变化这片子有一种go all the way的美感历史背景让它具有一定程度的真实性但其实具体细节都是漫画改编或者超级英雄电影的范式以这种视角来看一切都合理多了动作场面虽然依仗特效和慢镜头还是让人看的津津有味让我想起印尼动作神片《善良的小姨子播放》歌舞的部分很欢快我都能想象到印度观众结尾一起跳舞的样子了这种爱国主义的表达是我看过的印度电影中之前没有的英国人估计不会喜欢但曾经被压迫的民族都会很有共鸣吧